Tzekel-Kan demands the gods prove their glorious title, before Tulio pulls Miguel aside for a quick talk. Once they reach the centre of the city, they are greeted by the high priest, Tzekel-Kan and Chief Tannabok, who, along with the citizens of El Dorado, believe the pair are gods. Initially, the pair are ecstatic, and amazed, that the legendary city exists, however their moods quickly change, once they expect to be executed. The guards, that had apparently been chasing her, corner the Spaniards, before forcing the group to follow them back to El Dorado. Seeing nothing but the waterfall behind the last stone, he believes that they've travelled all that way for nothing.Ĭonvinced that nothing lay beyond the stone, Tulio demanded Miguel get on the horse (Altivo), and intended to depart back the way they came, before a native runs into them: Chel. As they near their destination, Tulio becomes more enthused by the idea, however, once they manage to fall down a cliff, landing before the last landmark, he returns to his irritable self. Meeting Bibo, an armadillo they managed to unintentionally rescue from a predatory snake, along the way, they find the journey to be perilous, facing various issues along the way (mostly Tulio). Angered at first, that Miguel had chosen to bring the map, Tulio is eventually persuaded by the thought of gold, that he agrees to join the overly excited Miguel on a journey to find the lost city. As Tulio and Altivo run to the boat, Miguel spots a familiar landmark that matches the drawing depicted on the map of El Dorado. Overjoyed, they flee from their rowboat, only to be frightened at the sight of skeletons laying about on shore. After few days spent out at sea, with minimal, if no, rations or drinking water, they eventually find land. Tulio and Miguel then hijack a rowboat, rescue Altivo (who was trying to get the apple) from drowning, and intend to row off to Spain.
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Miguel uses an apple to convince Altivo, Cortés' horse, to find a pry bar to help them break free only to be given a set of keys instead, much to Tulio's irritation. The duo break free from their barrel confinement, only to be found by the sailors on board and consequently, are locked up in the brig. The duo hide in a pair of barrels that end up being shipped onto Cortés ship that was destined to depart for the New World.
Tulio and Miguel fake a duel and eventually flee from trouble with the sailors (and the guards), only to be pursued by an angered bull, and eventually the townspeople, and the guards. Tulio ironically wins the bet, however the event ends on a sour note, as his (loaded) dice fall from his pocket, discovered by sailor.
To make matters worse, the sailor demands Tulio use his (the sailor's) dice. When a sailor, Zaragoza, bet the map to El Dorado, Tulio was disinterested, but quickly pressured into agreeing by Miguel. He is first seen rolling loaded dice (the number 7) to win a bet from a group of sailors. Even Tulio is Chel's sweetheart, he never forgets his camaraderie with Miguel.īoth Tulio and Miguel are first seen on a wanted poster, presumably for their occupations: con artists. Even Tulio is easily approached by Chel's beauty (see Chel) and you can read Chel's to know how Chel captures Tulio's heart. A quick thinker, he is able to use words and improvisational acting to his advantage (like Miguel), and although he and Miguel have opposite personalities, values and ideas, the two deeply care about each other, and are unable to stay mad at each other for long without feeling guilty. He tries his best to remain realistic in every situation in order to stay out of trouble. In times of trouble, Tulio is usually the one who comes up with a clever plan. He is initially more interested in wealth and fame than adventure (a conflicting trait with Miguel), but has a good heart he is willing enough to give up his gold in order to protect the citizens of El Dorado from Hernán Cortés's army. Tulio tends to be the more strategic, logical, and level-headed of the two protagonists.
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